The Experiment

For this FIELD NOTES experiment, I used two pieces of Arches watercolor paper cut from a roll, each measuring approximately 5 × 7 inches.

I placed both pieces on a smooth plastic board, then completely wet the front and back of each sheet before painting on them.

One piece was left untaped.

The other was taped down with blue painter’s tape while both the paper and the plastic board were still completely wet. I had never tried taping wet paper to a wet board before, and honestly, I wasn’t sure the tape would stick. To my surprise, it held the paper in place while I painted and as it dried.

When I thought the paintings were dry, I lifted the bottom, untaped painting and discovered there was still water trapped underneath. I placed it back on the board and came back later in the day to let it finish drying completely.

The Results

Both paintings dried much flatter than they started.

The untaped sheet retained only a slight amount of curl after it was completely dry, but it was still completely workable for the loose studies I was creating.

The taped painting dried the flattest. Along the taped edges, some paint leaked underneath and created a slightly rippled, textured effect. I actually think it looks kind of cool, but I definitely would not use this method if I wanted a clean white border around the painting.

Experiment Summary

Paper: Arches watercolor paper cut from a large roll

Size: Approximately 5 × 7 inches

Why I tried it: I wanted a quick way to reduce the curl so I could paint right away instead of waiting for the paper to flatten under books.

Method: Place the paper on a smooth plastic board, completely wet the front and back, then paint and allow it to dry on the board.

Variation: One sheet was taped down with blue painter’s tape while wet. The other was left untaped.

Result: Both sheets dried significantly flatter than they started. The untaped sheet retained only a slight curl and was completely workable for loose studies. The taped sheet dried the flattest, but some paint leaked under the tape and created a rippled, textured edge. I liked the effect, but I would not use this method when I wanted a clean white border.

Leanna Weber

About Leanna

Leanna Weber is an Oregon-based watercolor artist, fine art photographer, and creative encourager with more than 20 years of experience helping people see the beauty in the world around them. Her artistic journey began long before watercolor, building a successful photography business where she specialized in portraiture, storytelling, and creating meaningful artwork for families. That foundation continues to influence every painting she creates today.

Since discovering watercolor in 2019, Leanna has become known for her expressive, emotion-filled paintings that celebrate light, atmosphere, and the imperfect beauty of life. Whether painting florals, portraits, beloved pets, or landscapes, she is drawn less to perfect realism and more to capturing the feeling of a moment.

As a teacher and creative encourager, Leanna believes anyone can learn to paint. Her classes focus on observation, simplification, and letting go of perfection, creating an encouraging environment where students gain confidence while discovering their own artistic voice. Her teaching philosophy—The Magic of Expressive Imperfection—invites artists of every skill level to embrace the unexpected beauty that watercolor offers.

Drawing from decades of experience as both a professional photographer and artist, Leanna teaches students not only how to paint what they see, but how to see like an artist—finding beauty, emotion, and story in everyday moments.

Today, Leanna creates original watercolor paintings, teaches workshops throughout Oregon, accepts a limited number of commissions each year, and shares her creative journey online in hopes of encouraging others to slow down, notice the beauty around them, and discover the joy of creating.

https://www.leannaweberart.com
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Field Notes | Fresh Eyes Soften Judgement